Studio:
DreamWorks SKG
Production
Company: DreamWorks SKG / Pacific Data Images
Producers:
Aron
Warner, Brad Lewis, Patty Wooton
Executive
Producer: Carl Rosendahl
Directors:
Eric Darnell, Larry Guterman, Tim Johnson
Screenwriters:
Pau & Chris Weitz
Cast:
Z-1948: Woody Allen
Princess Bala: Sharon Stone
Weaver: Sylvester Stallone
Azteca: Jennifer Lopez
General Formica: Danny Glover
Mandible: Gene Hackman
Cutter: Christopher Walken
Wasps: Dan Aykroyd &
Jane Curtin
Drunk Scout: John Mahoney
The Queen: Anne Bancroft
Running Time:
77 minutes
Domestical
Release Date: October 2, 1998
Grossing:
$ 90.6 million
Comments:
Antz is a comedy about an
ant who leads a revolt against the conformist ant colony in which he
resides.
This is DreamWorks / PDI first computer
generated feature, to hopefully follow in the successful
footsteps of Disney's Toy Story.
The project has been done with PDI
computers and staff, with art direction and design from
DreamWorks.
DreamWorks and PDI used a combination
of Silicon Graphics "O2" desktop systems;
"Origin200" servers with dual CPUs
to be used for rendering; and "Origin2000" servers for media
storage and file serving.
Antz marks DreamWorks' first
animated full-feature coproduction
with PDI since the companies announced their relationship in May 1996.
Tim Johnson likened working on Antz
to "painting little pieces of a jigsaw puzzle''
and revealed that one of the movie's best sequences features central characters
Z and Princess Bala getting
stuck to the gum on a human's
shoe. The scene is in keeping with the theme of the film, according to
the director: We realized
this was not a movie about how small the ants are ... This is a film about
how big the world is.
Antz was expected to be released
in theaters on Spring '99, after Disney's insect movie A Bug's Life
but finally it was released 6 months before,
on October '98.
Antz was premiered in The
Toronto International Film Festival at their closing night gala on September
19. Antz was also screened at the Ottawa International Animation
Festival on opening night, September 29.
Test Screenings:
In Oregon, 800 folks were treated to the first ever screening of Antz. Here you have 3 reviews:
First review by B.Dog:
Fresh from a test screening of
ANTZ (ok, it was last night, but I needed time to collect my thoughts and
sleep, not necessarily in that order) and I wanted to share my reactions
with the good AICN folks. First and foremost - I had a great time! This
was my first ever test screening, and as such I wasn't sure what to expect.
The movie isn't due out for a few months, so I figured it would still be
in pretty rough shape, and that was right on target. About 60% (at a guess)
was in complete form, but the remainder was either very basic animation
(not much detail, just a few characters and little background), or in some
cases just the storyboards (this was true of most of the last 10 minutes
or so). The voices were all done, so even the parts with storyboards were
easy to follow (I think at some points the rough drawings made some of
the humorous scenes even funnier). The soundtrack was bits of other movies
slapped in there (I recognized ID4, Apollo 13 and First Contact), so it'll
be interesting to see what they have in the final version.
So in any case, a rough product,
but I really enjoyed it. Woody Allen was a perfect choice for the over-talkative,
slightly hyper "Z", our hero, and Gene Hackman did lots of fun scenery
chewing (as it were) as the devious General Mandible. Sharon Stone didn't
impress me a whole lot in her role as the love interest, Princess Bala,
but I'll see if she grows on me in the final version. Also watch out for
Christopher Walken, Sylvester Stallone, Danny Glover and Meryl Streep in
smaller parts (Walken's ant character had some perfect Walken facial expressions
- made me laugh).
The story is pretty straightforward,
nothing exceptionally original, but there's plenty of humor and some exciting
moments along the way. What was complete of the animation was very impressive,
especially the "wide-angle" shots of the whole colony - quite amazing.
All in all, a really fun night
out! It should be a really entertaining and enjoyable movie once it's completed.
I'm really looking forward to the finished product!
B. Dog
Second review by Jalapeno:
DreamWorks Picture’s new fully
animated film Antz was shown for the first time ever at Lloyd Center Act
III Theatre in Portland, Oregon yesterday, July 6th. The audience was drawn
from those present at Friday’s 10:15 premier of Armageddon. When I called
to RSVP for the show, I was first put on hold for over eight minutes, then
told that they had filled up everyone in my age group, and if I wanted
to come I would have to bring two children 12 or under for every adult.
The person on the other end of the line finished with “So why don’t you
make some calls, then call me back.” I was then promptly hung up on. After
reviewing the sheet given out at the Armageddon show, I noticed it said
specifically not to bring children 12 and under or infants, so I called
back. There was no answer. Interestingly enough the sheet also said that
anyone who “is dirty, inappropriately dressed or will otherwise interfere
with the viewing of the film for others will not be admitted.”
I arrived a full hour and a half
before the show was supposed to begin. Waiting in line the movie preview
staff didn’t seem to care who was who or what age anyone was. There was
no cost for the show, but personal information was collected from each
audience member. At forty-five minutes to start almost every single seat
in the theatre except for those reserved was filled. The show got going
when a spokesman for the Preview Company played a short film explaining
that what we were about to see was a work in progress, and was not ready
for release, along with an explanation regarding the incomplete scenes.
Incomplete scenes in the film
were in different stages of production. The most primitive scenes were
in penciled sketches shown about 10 to 15 a minute. I got the feeling that
the scenes that they wanted to be a surprise for even this audience were
purposely left as storyboards. The other incomplete scenes were primitive
objects of the characters covered only drab unlighted textures. In many
scenes there were fully rendered and lighted foreground characters, but
the background objects weren’t textured. About two-thirds of the film was
fully rendered. Highly detailed screens such as the beer dripping down
Weaver’s face or the flood sequences were left in low detail rendering
or none at all.
The fully rendered animation
for the film was really amazing. The gooey movement of the ant larva to
the flexing muscles of the solider ants along with highly detailed scenes
of consisting of thousands of moving ants moving sequentially or in different
directions made the animation the best ever to hit the big screen.
Music and sound was good, but
I was more enticed by the visuals. The most beautiful still would probably
have been when Baala is on the back of a Praying mantis. I remember its
eyes being this shimmery rainbow. It was gorgeous. I wish I could describe
it more. I really liked Jennifer Lopez’s New York accent, and Barbatus
was the perfect sounding veteran for Z. Woody Allen’s whiny voice was a
bit annoying at times, but a lot of the lines sounded like they could have
come from his mind.
The content of the film is definitely
mature. Things such as alcohol use, obvious intoxication presented as comedy,
(which I found extremely funny,) severe animated violence such as dismemberment,
sexual overtones, death of celebrated characters, and hopelessness all
contribute to a PG-13 movie NOT for kids.
After the film, the audience
was asked to fill out a survey which inquired about what parts of the movie
were good, bad or funny. Whether the ending was good, etc. A friend of
mine who also viewed the film commented. “I thought it was average. I don’t
think it was original, besides the fact that it took a generic plot and
replaced everything with ants.” This negative review comes from a guy who
wrote “I have diseases,” for no particular reason, on his survey.
I found the movie quite cool,
the reason I posted it here is because I remembered a feature about “Ain’t
it Cool News” on CNN, so naturally, I had to review it. Rage Against the
Machine. I probably wouldn’t, just so DreamWorks could have a clean release,
but the company who did the preview was so rude, I wanted to ‘get back
at them’?
Anyway, I hope you enjoyed my
review, and are now raving to see the finished product. I know I am.
This is Jalapeno signing off.
Third review by Skintaco:
Monday night we went to lloyd
cinemas (a big theatre complex in portland). my friends had gotten a flyer
when they saw armageddon there last wednesday. The flyer asked for your
name, address, etc., explained that the movie was a rough cut, and gave
a little blurb about it.
So we're waiting in line and
are constantly set upon by suited ushers and such, taking our flyer, giving
us a ticket. Lots of movie theatre etiquette one liners/pointers.
We get in and find some good
seats, as the auditorium fills. Several seats here and there (the last
2 rows, some aisle seats on our row) were taped off... for what exactly,
i was not sure. The audience was mostly filled with kids, and their silly
stereotypical parents. 800 seats in there i'm told. all filled.
So me and my pal are chillin',
waitin' for our friends to get in, when this red-faced energetic dude (named
kevin it turns out) in a suit walks over and asks us our names. grills
us on how many movies we've seen recently. my pal fails miserably (more
of a business geek), but i've seen every one he mentions. He says that
the editors will be around after the show and could we stick around to
answer some questions. so we got to grinnin'.
(but after the show he says "The
editors decided not to do it, so he doesn't need us after all." frown.
grumble. sigh. Was it my cologne? lack thereof? No! It must have been my
friends!)
Some people fill the taped off
seats just before the lights went down. the two closest had some strange
stuff. one had a glow-in-the-dark pen & a notepad, and the other had
some kinda box attached to a cord, with a simple red dial on top. WTF?
i've no idea.
So the energetic guy inna suit
(names kevin it turns out) walks out and addresses the crowd, thanks us
all for coming, etc. tells us we're the first audience to see the film
nation wide. (wee) Then begins to explain that the movie is still very
rough,and runs us through a few examples on video tape.
Skintaco.